Noella
Pontois
Jury member of Benois de la Danse
In 1968, N. Pontois was made Prima and danced the title role in "Giselle- with Cyril Atanassoff shortly after which she danced the pas-de-deux from “Nutcracker“ and Giselle” with Rudolf Nureyev.
In 1969, she danced the lead roles in the following ballets: “Swan Lake“, “Coppelia“, “Sarabanda“, The Four Temperaments”, Suite in White” and Daphnis and Chloe”.
In 1970, Pontois added the following Balanchine ballets to her repertoire: “Apollon Musagete“ with Jean-Pierre Bonfou, and later with Attilio Labis; “Concerto Barocco“, “Le Palais de Cristal“ and “Serenade“. In subsequent years there was a rapid increase in her repertoire: “Etudes“, “The Patrisian Cathedral of Notre Dame“, “La Bayadere“, “Apres-midi d-un faune“, “La Sylphide“, “The Wolf“, “Les Sylphides“, “Spartacus“, “Nutcracker“, “Don Quixote”, Romeo and Juliet”, Ivan the Terrible”, Mirages”, Petrouchka”, The Seasons”, Sylvia”, Paquita”, La Fille mal gardee”, Midsummer Night▓s Dream”, Le Corsaire”, Raymonda”, Shadow” were just some of the ballets in which Noelle Pontois danced. She was partnered by such outstanding artists as Nureyev, Baryshnikov, Bukhones, Vasiliev, Bortoluzzi, Shaufus, Derevyanko; and at the Paris Opera by Atanassoff, Bart, Labis, Bonfou, Franketti, Denar, Jude, Lormo, Dupont, Legris and Vyu-An.
Noella Pontois has been awarded the Rene Blum and Anna Pavlova prizes as well as the National Grand-Prix For services to ballet”. She is a holder of the Order of Merit, the Order of the Legion d-Honneur (by way of exception) and of the Order of Literature and Art.
Since 1988, Noella Pontois has been teaching at the Paris Opera.